The Religious and Historical Symbol in Hussein Zidan's Poetry: Cases from the Collection (Fadha' li-Mawsim al-Israr)

Authors

  • Zineb Abdelaziz Professor Lecturer (B), Department of Arabic Language, Emir Abdelakader University of Islamic Sciences Constantine, Algeria.

Keywords:

Self, Symbolism, Past, Sacred, Identity, Algerian Poetry, Hussein Zidan

Abstract

The late Algerian poet Hussein Zidan is renowned for his creative and evocative style. Fascinated by symbolism, Zidan's work allows readers to contemplate and explore, drawing upon their cultural-historical and spiritual-religious knowledge, to independently uncover his intentions and grasp the meaning of his symbolic choices. Studies of Zidan's works remain scarce, despite their notable spiritual nature and guidance through crucial junctures in the nation's history. Therefore, we have chosen to examine the occurrence of historical symbolism in his poetic texts. Specifically, we address the following central question: What role does Religious and Historical Symbol play in Hussein Zidan's poetry? Was its use incidental or fundamental in shaping the structure and meaning of his poems? Following the descriptive methodology with its various mechanisms, we concluded that religious and historical symbolism in Hussein Zidan's poetry, as evidenced through our selected examples, constituted a fundamental pivotal dimension in textual construction and semantic fluidity, continuously evoking the past and its symbols, whether with optimism, regret, or sorrow, as demanded by the poem's contextual requirements.

Published

2024-12-25

How to Cite

Abdelaziz, Z. (2024). The Religious and Historical Symbol in Hussein Zidan’s Poetry: Cases from the Collection (Fadha’ li-Mawsim al-Israr). LANGUAGE ART, 9(4). Retrieved from https://languageart.ir/index.php/LA/article/view/429

Similar Articles

1 2 3 4 5 > >> 

You may also start an advanced similarity search for this article.